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Archie Comics 145 (April 1964) - download pdf or read online

By Richard H. Goldwater, Frank Doyle, Joe Edwards, Sy Reit, Samm Schwartz

Archie Comics #145 - April 1964

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Additional resources for Archie Comics 145 (April 1964)

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E E B G D A E E9 2 82 1 E 2 0 1 2 B7/E 0 2 1 1 2 1 0 E 54 E /B 2 85 0 June 2016 2 B 7/E 4 0 1 E 1 1 2 1 2 2 1 2 1 2 2 2 1 0 0 2 1 2 1 2 0 ‰ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙ E 0 0 E /B 2 2 0 #### ‰ ˙œ œ & œ œ œ œ œ œ œ œ œ ˙. 1 website for musicians Love this magazine? com Thousands of gear reviews and killer video demos Tips and techniques to help you play and sound better Learning Zone Lessons from the world’s greatest teaching academies... Brought to you by… Lessons gT #257 30-MinUTe LiCKBag .....................

6 œ œ œ b œ n œ b œ n œ œ œ 8 5 6 7 5 5 6 5 7 6 8 b C7 & bœ . ~~~~ ~~~~ 10 10 12 œ œ œ Œ. & C7 E B G D A E ~~~ ~~~ œ œ bœ ⋲ œ œ. 4 BU E B G D A E ~~~ BU F7 ~~~ & E B G D A E 8 8 œ ~~~ œ bœ nœ œ œ œ . 1 ~~~ œ œ & ‰ bœ . E B G D A E 11 j ~~~ bœ nœ . 9 8 10 F7 bœ J 8 œ œ œ bœ œ œ C7 œ 10 œ œ J 5 5 3 5 6 5 6 ˙ . ~~~~ G 13 7 ~~~~ 17 June 2016 61 lesson } blues ON THE CD TRACKs 35-38 ExamplE 2 a mixolydian blues cd track 37 Here we have another dominant blues, this time in a. a Mixolydian (a-B-C#-d-E-F#-G) is used throughout with added ‘colour’ tones thrown in.

So you’ll see here the use of, for example, Eb9, G7(b13)/F, G7#9 – all of these are dominant chords and valid (and beautiful) substitutions for the basic blues dominant 7 chord. 2) When it comes to the use of chromatic approaches, as Tim shows in Example 3, any of theses chords can be ‘slid into’ by the same chord shape a semitone above or below. This generally happens on the ‘weak’ beats – beats 2 and 4. This is such a simple idea (and far more idiomatic on the piano than the guitar) but remarkably effective.

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Archie Comics 145 (April 1964) by Richard H. Goldwater, Frank Doyle, Joe Edwards, Sy Reit, Samm Schwartz


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