By Swati Chattopadhyay
Representing Calcutta is a spatial heritage of the colonial urban, and addresses the query of modernity that haunts our belief of Calcutta. The e-book responds to 2 inter-related matters in regards to the urban. First is a twin of Calcutta because the worst case situation of a 3rd international urban -- the proverbial 'city of dreadful nights.' moment is the altering nature of the city’s public areas -- the death of definite varieties of city sociality that has been mourned in contemporary literature because the passing of Bengali modernity. by way of studying structure, urban plans, work, literature, and reputable studies during the lens of postcolonial, feminist, and spatial thought, the publication explores the stipulations of colonialism and anti-colonial nationalism that produced the town as a contemporary artefact. on the centre of this exploration is living the matter of 'representing' the town, illustration understood as description and narration, in addition to political illustration. In doing so, Chattopadhyay questions the very thought of colonial towns as creations of the colonizers, and the version of colonial towns as twin towns, break up in black and white components, in favour of a extra advanced view of the topography.
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Representing Calcutta is a spatial background of the colonial urban, and addresses the query of modernity that haunts our belief of Calcutta. The e-book responds to 2 inter-related issues in regards to the urban. First is just like Calcutta because the worst case situation of a 3rd global urban -- the proverbial 'city of dreadful nights.
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Additional resources for Calcutta: Modernity, Nationalism and the Colonial Uncanny (Asia's Transformations)
Possessed by this frenzy of superstition, mothers have thrown their infants into the jaws of the sea-monster, and furnished scenes too horrible for description; but the yearly assembly at Saugor 4273P CALCUTTA-PT/jr 14/3/05 12:40 pm Page 27 The colonial uncanny 27 1111 2 3 4 5 6 7 8 9 1011 1 2 3111 4 5 6 7 8 9 20111 1 2 3 4 5 6 7 8 9 30111 1 2 3 4 5 6 7 8 9 40111 1 2 3 4 45111 is now attended by troops, in order to prevent these horrid practices, so that I believe there are now but few involuntary victims.
The empirical was meant to take on the burden of narrating empire by being engaged in a pre-determined set of spatial 4273P CALCUTTA-PT/jr 14/3/05 12:40 pm Page 23 The colonial uncanny 23 1111 2 3 4 5 6 7 8 9 1011 1 2 3111 4 5 6 7 8 9 20111 1 2 3 4 5 6 7 8 9 30111 1 2 3 4 5 6 7 8 9 40111 1 2 3 4 45111 relationships, expected to be static and coded in terms of material progress. At a very basic level, color coding – black, white, and the troubling inbetween – functioned to establish the requisite cultural signifiers of a narrative of imperial progress.
The textual and visual representations created a space of British authority that claimed to be the geographical space of Calcutta, with all its attendant suggestions of fidelity and accuracy. By analyzing affiliations between written texts, paintings, and health maps I am arguing that the connections between these disparate forms and descriptive domains have been largely overlooked. Perusing the British topographical paintings of the city and the limited artistic skill displayed in the large majority of them, it is difficult to imagine their significance unless we insert them in the material culture of the colonizers.
Calcutta: Modernity, Nationalism and the Colonial Uncanny (Asia's Transformations) by Swati Chattopadhyay